Wednesday, May 25, 2016
Don Markstein of Toonopedia.com tells us that Rulah was “born” in 1947 in Zoot Comics #7. Up until that time Zoot had featured funny animals (included in issue #1, a sexy kitty named Pussy Katnip), then teenage strips. Rulah was a hit, and why not? It was aimed at young men who had an insatiable appetite for panels full of hot chicks in abbreviated costumes. Zoot did not disappoint. If there were other women in the Rulah stories, you can be sure they were also as close to undressed as the postal laws of 1947 would allow. Zoot eventually changed its title to Rulah, Goddess of the Jungle.
Rulah today is from Zoot Comics #10 (1947). GCD guesses Matt Baker for artwork, but I do not agree. It looks like various hands worked on it at the Iger Shop.
Monday, May 23, 2016
Issue #2 of Lorna the Jungle Queen #2 (1953) introduces us to Lorna’s boyfriend, the “mighty white hunter, Greg Knight.” Greg is a guide, leading rich “sportsmen” to unwary prey for the purposes of bagging trophies. Lorna is in the background for most of the story, watching and listening.
Greg is a male chauvinist. From this point on his relationship with Lorna is that of a downer, a naysayer telling her a woman can’t do what a man can, all while Lorna is pulling his keister out of one mess after another.
The story is by Don Rico, the pretty artwork by Werner Roth.
Friday, May 20, 2016
Anyone who knows the Atom in his 1961 incarnation knows the two characters have nothing in common. The second Atom can make himself small and retain his mighty wallop. I have said that DC used the old name, but appropriated the powers of Doll Man. Doll Man had been moribund since 1953, and then the publisher, Quality Comics, was sold to DC in '56. Doll Man was a direct influence on the modern Atom, but at least they owned the rights to the character they were swiping from. As it turned out, Doll Man did show up in the DC Universe again, but that isn’t a concern here.
Wednesday, May 18, 2016
While reading this little essay on the shallowness of some men the phrase “trophy wife” came to mind, The artwork is by L.B. Cole, whose glossy style lends itself to pretty characters. Faye needs plastic surgery and complains that her face is completely different, but to me it looks exactly the same after surgery as before. It must’ve puzzled Cole when he read the script. Make her beautiful still, but different. Cole’s figures look like they are out of magazine ads. Michael and Bob (the doctor who performs the surgery, and falls for Faye) even look alike, down to the unfortunate use of the same colors for their suits. In that way it seems Michael’s prejudices have rubbed off on Faye.
From All Romances #1 (1949):
More L.B. Cole, this time with a Toni Gayle story. Just click on the thumbnail.