Wednesday, October 01, 2014

Number 1638: Cabbages from space stole his face!

You will recognize “The Day They Stole My Face” as being inspired (or swiped, depending on how generous you are with “borrowed” ideas) by Invasion of the Body Snatchers, the Don Siegel hit movie, taken from the book by Jack Finney. In the story giant seed pods from space turn into humans, whom they replace. In this story the aliens are big cabbage heads (really!)

It seems odd that anyone, even alien invaders, would try to steal someone’s life and identity by just building an exact house next door and looking exactly like the neighbor family. But who am I to try to guess how aliens think?

It is drawn by Bill Ely, a comic book journeyman who goes way back to the beginnings of comic books. I have linked to some more by this artist. I believe Ely is underrated by comic book fans. The story appeared in My Greatest Adventure #8 (1956).

More of Bill Ely’s work for DC. Just click on the thumbnail.

Monday, September 29, 2014

Number 1637: Bob Powell’s interesting failure

“Atoma” is a one-shot filler, published in Harvey’s Joe Palooka #15 (1947), drawn by the prolific Bob Powell studio. It is an experiment, and the editors ask if the readers would rather see it or the regular feature by Powell (referred to as “our artist”), “Chickie Ricks, Better Known As The Flyin’ Fool”...Atoma never appeared again.

The problem as I see it is the strip is too gimmicky. Like a radio play Atoma describes things we readers can’t see. The only panel with a background is on page one. Comics are a visual medium so the reader is cheated. I don’t know what would have happened if the strip had continued; would it have continued without backgrounds, and that clever way of numbering the pages? I like the comely Atoma and the giant robot, but as a comic book story I’d call it an interesting idea that just does not quite work.

Friday, September 26, 2014

Number 1636: Boys in Blue: Blue Bolt

This is our third and final posting for our theme week, Boys in Blue: comic characters with blue in their name or predominant in their costume.

Blue Bolt is our final choice. This is an early entry, from Blue Bolt Comics #3 (1940). According to Don Markstein’s Toonopedia, the Blue Bolt feature was the one that brought the team of Joe Simon and Jack Kirby together. As was their modus operandi in those early years Simon and Kirby stayed on the strip for only about a dozen issues before leaving it to others.

Things I like about Blue Bolt are its setting in an underground kingdom, and the sexy Green Sorceress, with her lusty yearning for Blue Bolt.

Wednesday, September 24, 2014

Number 1635: Boys in Blue: Blackhawks

This is the second entry of our theme week, Boys in Blue, featuring heroes with either blue in their name or wearing a blue costume. Blackhawk doesn’t fit as far as the name goes, but he and his gang dressed in blue with matching caps. (In Military Comics #1, which introduced the character, Blackhawk wore a solid black uniform. In my opinion it made him look even more like a Nazi than the later one. C'est la guerre.)

This story features the Blackhawks of the dark days of World War II, when pulling out a machine gun and mowing down the enemy was just part of the job. You can tell these guys are tough when Hendrickson pipes up with “Ve spit upon you!” to the firing squad about to execute them. much worse could the situation get at that point, anyway? Needless to say they survived.

The story, from Military Comics #21 (1943) also features some interesting caricatures of Hitler and Herman Göring. The nice artwork is credited by Jim Vadeboncoeur Jr to Al Bryant and P. Palais, by the Grand Comics Database to Reed Crandall.

Our friend Darci has forwarded some information based on the confusion over the credits for the artwork on this story. Roger Hill, who has recently completed a book  on Reed Crandall (upcoming from IDW) says, “I . . . own a page of original art from this story. I consider it to be pure Crandall. The pencils are definitely all Crandall, and maybe, just maybe, someone else helped on the inking. But I doubt it.”

Thanks, Darci, and thanks, Roger.

This story also features the hideously caricatured Chop Chop. Recently I watched some classic Warner Bros cartoons on DVD, and was struck by their disclaimer on racial and ethnic portrayals that at one time were acceptable and now are not. Here is a capture of that disclaimer, which says so well what I want to say about characters like Chop Chop. I agree with the last line, “...presented as they were originally created, because to do otherwise would be the same as saying these prejudices never existed.”